A
native of Tongxiang, Zhejiang, Fang Zikai began his studies at the
Zhejiang First Normal School, he was highly influenced by the famous
Japanese-trained educator Li Shutong who was a devout Buddhist and
eventually became a monk. Feng followed his teachers steps and became a
practicing Buddhist himself, this may explain his stress on the close
observation of nature in his art. After graduating, he studied music and
art in Japan before returning to China in 1922 to teach in Shanghai. In
this cosmopolitan and culturally vibrant city, artists and
intellectuals inspired a cultural movement that revolutionized Chinese
main stream culture and had far reaching influence over the development
of Chinese modern esthetics.
Feng
was a painter, writer, music educator, translator, calligrapher and art
theorist. He was considered to be the founder of modern Chinese cartoon
art. His essays and cartoons are still popular among the Chinese public
today. It was in Shanghai working as a publisher in the Kai Ming Press
that Feng’s art, art criticism and essays were published and enjoyed
wide public exposure. This period of intellectual and artistic flux
brought many intellectuals, scholars and artists to cooperate in shaping
Chinese modern culture. Although a Buddhist, Feng Zikai did not detach
himself from secular affairs. He often identified himself with the
politically involved intelligentsia. Although his art was subtle and
delicate it often carried strong social and cultural messages. “New
Interpretation of Classic Poems” is one of the many series of works that
Feng Zikai did during the Anti-Japanese War period (1937-1945). In this
work his unique cartoons draw new meanings from old classical verses.
This dialogue with the traditional past of China gave his casual style a
new dimension and characteristics.
Feng
Zikai is one of those figures at the first half of the 20th century
that helped future generations shape and re-define a concept of China in
the modern age. At a time of social and cultural chaos it was due to
people like him that a clearer picture and sense of cultural orientation
emerged.
Tidak ada komentar:
Posting Komentar